![]() So, “Cola de Mono,” in that sense, is quite similar to my Nashville movie: “Música Campesina.” One has more sex and nudity but both tackle desire and longing and a certain loneliness. My gaze has always been on men, whatever orientation the characters have. There have always been slight references but all my movies are about guys who are different, who don’t belong. “Invierno” is clearly a bromance and the mystery of that movie is what sort of love and bond the two main heroes had. After all, I made a documentary on what I considered a very charged homoerotic movie that is Coppola´s “Rumble Fish.” Indeed, “Cola de Mono” is more explicit in many aspects but it is not a bromance, which most of my films are. I believe, as a gay artist, all my work has been filtered through both my male and gay perspective. In a certain way, it’s my first explicit gay film. What will change is the tagline in English, which will be: “Don’t drink it after midnight.” My distributor, TLA, really likes the title. “Cola de Mono” will be called “Cola de Mono ” “Eggnog” doesn’t quite cut it.
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